Reflections Series
Reflections Series
Each:
20 x 20 in.
Gouache on botanical photographic print on cotton rag
2024
Titles: First Glance • Mirrored Waters • Beneath the Surface • Dissolution
This contemplative collection of four paintings explores the intricate dance of human connection through the metaphor of water. Inspired by the lake imagery in Paulo Coelho's "The Alchemist," these works examine how we see ourselves in others and how others come to reflect aspects of ourselves.
The paintings inhabit the liminal space between perception and reality—where recognition becomes projection and surface transforms into depth. Through deliberate layering and subtle interplays of light, each piece captures a moment of suspended understanding where what we believe we're seeing exists in delicate balance with what remains concealed.
This visual meditation on presence and absence invites viewers to consider how meaning shifts when we change our vantage point. The collection explores that elusive threshold where what we recognize as familiar begins to transform into something we cannot name, questioning whether what returns our gaze is revelation or illusion, connection or construction.
Ann Latinovich Fine Art Studio & Co
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Cultivating Beauty Through Intentional Practice
For over three decades, Ann Latinovich has established herself as a multidisciplinary artist whose work exists at the confluence of aesthetic refinement and psychological resonance. Her artistic practice, spanning painting, photography, sculpture, and film, represents a holistic approach to creativity that begins in cultivation and culminates in works that function as both visual poetry and philosophical inquiry.
At the core of Latinovich’s practice is her “Growing Beauty” philosophy, a conceptual framework that positions the cultivation of beauty as both artistic methodology and contemplative discipline. This approach merges horticultural practice with creative expression, where the growing of botanical elements becomes inseparable from the development of artistic works. The result is art that embodies, rather than merely represents, the complete cycle of growth, transformation, and renewal.
Artistic Vision and Approach
Ann's work is distinguished by its seamless integration of formal sophistication and emotional depth. Drawing from her intimate connection with natural processes, she creates visual experiences that articulate what conventional language often fails to express—the subtle relationships between vulnerability and resilience, transience and permanence, darkness and illumination.
Her flower garden serves as both studio and sanctuary. It is a living laboratory where she observes and participates in natural cycles that later inform her creative process. This integration of cultivation and creation represents more than an aesthetic choice; it embodies a philosophy that values authentic growth over artificial perfection, process over product, and depth over immediacy.
Through this approach, Ann's work invites viewers into a contemplative space where beauty functions not as mere adornment but as essential nourishment for psychological resilience and authentic connection. Each piece becomes an opportunity for reflection on how we grow things: gardens, relationships, creative works, and what ultimately flourishes in our lives.
Institutional Recognition and Legacy
Ann's distinctive vision has earned recognition from prestigious institutions including The Art Institute of Chicago, The Chicago Symphony Orchestra, and galleries in Rome and throughout Italy. Her work has been featured in prominent Chicago landmarks including the historic Water Tower, Michigan Avenue, London House Hotel, and The Blackstone Hotel.
Her portraiture has garnered particular acclaim, including commissions to create portraits of two United States Presidents. This achievement stands alongside other career highlights such as the creation of large-scale frescoes in Tuscany and live painting performances on Chicago's Michigan Avenue.
Educational Foundation and Teaching
Ann holds a BFA from Tyler School of Art, where her studies included formative time in Rome, Italy, followed by an MFA in Painting and Drawing from the School of the Art Institute of Chicago. These experiences cultivated not only technical proficiency but also a deep appreciation for art history, craftsmanship, and the communicative potential of visual language.
Her commitment to artistic education extends to her role as a Visiting Artist at collegiate fine art programs nationwide, including her alma mater, the School of the Art Institute of Chicago. Most recently, she taught fresco painting in the Tuscan hillsides of Siena, Italy, guiding students through the creation of an installation at Tenuta di Spannocchia. This experience reflected her belief in the marriage of technique, place, and philosophical intention.