My work begins before the studio. Much of the botanical material is grown in my own garden, cultivated from seed, tuber, and bulb. The process is slow and deliberate. It establishes the conditions the work emerges from.

Light, timing, structure, and seasonal variation are not references. They're lived through and carried into the work.

Working this way allows me to control the full arc of creation. Nothing is sourced or approximated. The material arrives with its own history intact.

That history remains visible and the work carries the evidence of growth, time and sustained attention. It holds differently in a room because of it.

Each piece is developed to live within interior spaces while maintaining clarity, structure, and longevity. Variations occur naturally. No two cycles produce identical results.

From the ground up, the work is built to hold.